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“... at the movement’s heart, and the troubling persistence of racial inequality in modern America. Raymond Arsenault’s compelling history of one of the most important battles of the struggle focuses on eight months in 1961 – a moment when Jim Crow seemed to be as entrenched as ever. In the five years following Montgomery, the civil rights movement ...”

“... laugh’ – a formula lifted from a commentary on the work of the trans cabaret artist Nina Arsenault, who, while modelling herself on a Barbie doll, manages to cover all the options by performing herself as both real and fake. There are no lengths to which Arsenault has not gone, no procedures she hasn’t ...”